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John Holbo - Editor
Scott Eric Kaufman - Editor
Aaron Bady
Adam Roberts
Amardeep Singh
Andrew Seal
Bill Benzon
Daniel Green
Jonathan Goodwin
Joseph Kugelmass
Lawrence LaRiviere White
Marc Bousquet
Matt Greenfield
Miriam Burstein
Ray Davis
Rohan Amanda Maitzen
Sean McCann
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Miriam Jones

Past Valve Book Events

cover of the book Theory's Empire

Event Archive

cover of the book The Literary Wittgenstein

Event Archive

cover of the book Graphs, Maps, Trees

Event Archive

cover of the book How Novels Think

Event Archive

cover of the book The Trouble With Diversity

Event Archive

cover of the book What's Liberal About the Liberal Arts?

Event Archive

cover of the book The Novel of Purpose

Event Archive

Sister Carrie and Television

A Defense of Literary Studies Anyone?

Bad Books

Disciplinary Tension? Or, Holbo Meet Hillis

The Valley of Elah as our Heart of Darkness

“what-have-you intriguing subject”

Louis Menand, The Marketplace of Ideas

Time’s Arrow in Literary Space

Martin Amis’s Pregnant Widow

Baddest of the Bad

The “Crisis” in Literary Studies, by Mimi & Eunice

The Hurt Locker’s Addiction to Detachment, and Ours

Academic Publishing Again (or, Still)

Learning to Remember

Interesting Talk

Luther Blissett on A Defense of Literary Studies Anyone?

Tony Christini on Disciplinary Tension? Or, Holbo Meet Hillis

Bill Benzon on Disciplinary Tension? Or, Holbo Meet Hillis

StevenAugustine on A Defense of Literary Studies Anyone?

Athena Andreadis on Bad Books

Rohan Amanda Maitzen on "what-have-you intriguing subject"

Tony Christini on Disciplinary Tension? Or, Holbo Meet Hillis

Bill Benzon on "what-have-you intriguing subject"

Rohan Amanda Maitzen on "what-have-you intriguing subject"

Ray Davis on Graphs, Maps, Trees and Breeding

Sisyphus on Sister Carrie and Television

Jonathan Goodwin on Disciplinary Tension? Or, Holbo Meet Hillis

Jonathan Goodwin on A Defense of Literary Studies Anyone?

Ray Davis on Disciplinary Tension? Or, Holbo Meet Hillis

Timothy Perper on Time's Arrow in Literary Space

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Tuesday, November 17, 2009

Yet Another Established Writer Swats at the ‘Loud-Buzzing’ Blogger

Posted by Rohan Amanda Maitzen on 11/17/09 at 12:24 PM

Unintentionally, mind you. And present company excepted, of course.

He is already to be classed as a “general writer,” corresponding to the comprehensive wants of the “general reader,” and with this industry on his hands it is not enough for him to keep up the ingenuous self-reliance of youth: he finds himself under an obligation to be skilled in various methods of seeming to know; and having habitually expressed himself before he was convinced, his interest in all subjects is chiefly to ascertain that he has not made a mistake, and to feel his infallibility confirmed. That impulse to decide, that vague sense of being able to achieve the unattempted, that dream of aerial unlimited movement at will without feet or wings, which were once but the joyous mounting of young sap, are already taking shape as unalterable woody fibre: the impulse has hardened into “style,” and into a pattern of peremptory sentences; the sense of ability in the presence of other men’s failures is turning into the official arrogance of one who habitually issues directions which he has never himself been called on to execute; the dreamy buoyancy of the stripling has taken on a fatal sort of reality in written pretensions which carry consequences. He is on the way to become like the loud-buzzing, bouncing Bombus who combines conceited illusions enough to supply several patients in a lunatic asylum with the freedom to show himself at large in various forms of print. If one who takes himself for the telegraphic centre of all American wires is to be confined as unfit to transact affairs, what shall we say to the man who believes himself in possession of the unexpressed motives and designs dwelling in the breasts of all sovereigns and all politicians? And I grieve to think that poor Pepin, though less political, may by-and-by manifest a persuasion hardly more sane, for he is beginning to explain people’s writing by what he does not know about them. Yet he was once at the comparatively innocent stage which I have confessed to be that of my own early astonishment at my powerful originality; and copying the just humility of the old Puritan, I may say, “But for the grace of discouragement, this coxcombry might have been mine.”

Pepin made for himself a necessity of writing (and getting printed) before he had considered whether he had the knowledge or belief that would furnish eligible matter. At first perhaps the necessity galled him a little, but it is now as easily borne, nay, is as irrepressible a habit as the outpouring of inconsiderate talk. He is gradually being condemned to have no genuine impressions, no direct consciousness of enjoyment or the reverse from the quality of what is before him: his perceptions are continually arranging themselves in forms suitable to a printed judgment, and hence they will often turn out to be as much to the purpose if they are written without any direct contemplation of the
object, and are guided by a few external conditions which serve to classify it for him. In this way he is irrevocably losing the faculty of accurate mental vision: having bound himself to express judgments which will satisfy some other demands than that of veracity, he has blunted his perceptions by continual preoccupation. We cannot command veracity at will: the power of seeing and reporting truly is a form of health that has to be delicately guarded, and as an ancient Rabbi has solemnly said, “The penalty of untruth is untruth.” But Pepin is only a mild example of the fact that incessant writing with a view to printing carries internal consequences which have often the nature of disease.
And however unpractical it may be held to consider whether we have anything to print which it is good for the world to read, or which has not been better said before, it will perhaps be allowed to be worth considering what effect the printing may have on ourselves. Clearly there is a sort of writing which helps to keep the writer in a ridiculously contented ignorance; raising in him continually the sense of having delivered himself effectively, so that the acquirement of more thorough knowledge seems as superfluous as the purchase of costume for a past occasion. He has invested his vanity (perhaps his hope of income) in his own shallownesses and mistakes, and must desire their prosperity. Like the professional prophet, he learns to be glad of the harm that keeps up his credit, and to be sorry for the good that contradicts him. It is hard enough for any of us, amid the changing winds of fortune and the hurly-burly of events, to keep quite clear of a gladness which is another’s calamity; but one may choose not to enter on a course which will turn such gladness into a fixed habit of mind, committing ourselves to be continually pleased that others should appear to be wrong in order that we may have the air of being right.

I tell you, that George Eliot was prescient, as well as snarky.


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