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John Holbo - Editor
Scott Eric Kaufman - Editor
Aaron Bady
Adam Roberts
Amardeep Singh
Andrew Seal
Bill Benzon
Daniel Green
Jonathan Goodwin
Joseph Kugelmass
Lawrence LaRiviere White
Marc Bousquet
Matt Greenfield
Miriam Burstein
Ray Davis
Rohan Maitzen
Sean McCann
Guest Authors

Laura Carroll
Mark Bauerlein
Miriam Jones

Past Valve Book Events

cover of the book Theory's Empire

Event Archive

cover of the book The Literary Wittgenstein

Event Archive

cover of the book Graphs, Maps, Trees

Event Archive

cover of the book How Novels Think

Event Archive

cover of the book The Trouble With Diversity

Event Archive

cover of the book What's Liberal About the Liberal Arts?

Event Archive

cover of the book The Novel of Purpose

Event Archive

The Valve - Closed For Renovation

Happy Trails to You

What’s an Encyclopedia These Days?

Encyclopedia Britannica to Shut Down Print Operations

Intimate Enemies: What’s Opera, Doc?

Alphonso Lingis talks of various things, cameras and photos among them

Feynmann, John von Neumann, and Mental Models

Support Michael Sporn’s Film about Edgar Allen Poe

Philosophy, Ontics or Toothpaste for the Mind

Nazi Rules for Regulating Funk ‘n Freedom

The Early History of Modern Computing: A Brief Chronology

Computing Encounters Being, an Addendum

On the Origin of Objects (towards a philosophy of computation)

Symposium on Graeber’s Debt

The Nightmare of Digital Film Preservation

Richard Petti on Occupy Wall Street: America HAS a Ruling Class

Bill Benzon on Whatwhatwhatwhatwhatwhatwhat?

Nick J. on The Valve - Closed For Renovation

Bill Benzon on Encyclopedia Britannica to Shut Down Print Operations

Norma on Encyclopedia Britannica to Shut Down Print Operations

Bill Benzon on What’s an Object, Metaphysically Speaking?

john balwit on What’s an Object, Metaphysically Speaking?

William Ray on That Shakespeare Thing

Bill Benzon on That Shakespeare Thing

William Ray on That Shakespeare Thing

JoseAngel on That Shakespeare Thing

Bill Benzon on Objects and Graeber's Debt

Bill Benzon on A Dirty Dozen Sneaking up on the Apocalypse

JoseAngel on A Dirty Dozen Sneaking up on the Apocalypse

JoseAngel on Objects and Graeber's Debt

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Monday, June 07, 2010

The Summer of Genji

Posted by Rohan Maitzen on 06/07/10 at 08:00 PM

Looking for a summer reading project? The Quarterly Conversation and Open Letters Monthly are co-producing The Summer of Genji:

According to Wikipedia, The Tale of Genji “is a classic work of Japanese literature attributed to the Japanese noblewoman Murasaki Shikibu in the early eleventh century, around the peak of the Heian Period. It is sometimes called the world’s first novel, the first modern novel, the first psychological novel or the first novel still to be considered a classic.”

Virginia Woolf reviewed it favorably in Vogue in the 1920s, and many Europeans went on to claim it as a Japanese Proust or Austen. Jane Smiley claimed it helped her make sense of 9/11.

In The New York Review of Books, V.S. Pritchett wrote this about it:

When Arthur Waley’s translation of The Tale of Genji came out, volume by volume, in the late Twenties and early Thirties, the austere Sinologue and poet said that Lady Murasaki’s work was “unsurpassed by any long novel in the world.” If we murmured, “What about Don Quixote or War and Peace?” we were, all the same, enchanted by the classic of Heian Japan which was written in the tenth and eleventh centuries, and we talked about its “modern voice.” What we really meant was that the writing was astonishingly without affectation. Critics spoke of a Japanese Proust or Jane Austen, even of a less coarse Boccaccio. They pointed also to the seeming collusion of the doctrines of reincarnation or the superstition of demonic possession with the Freudian unconscious—and so on.

See here for the schedule; the first round of dicsussion begins June 15-20.


Comments

Thanks for posting this, Rohan! Perfect timing.

By Colleen on 06/07/10 at 10:18 PM | Permanent link to this comment

Thanks for this, Rohan. I’d pretty much decided to read Genji on my own, so this group reading came just at the right time for me.

By Bill Benzon on 06/07/10 at 10:33 PM | Permanent link to this comment

The beauty of the Waley translation lies very much in Waley’s lovely prose. I have an old copy of the Waley and also a copy of the later Seidensticker translation—which is apparently much more accurate, doesn’t drop passages (as Waley does), and is (I thought) a bit of a chore to read. I haven’t read the Tyler translation.

I hope they’ll also be considering other Heian period works. Also, Morris’ _The World of the Shining Prince_ is good as background info.

By on 06/09/10 at 12:21 AM | Permanent link to this comment

Sorry you’re not running one yourself, Rohan, I enjoyed them.

By on 06/12/10 at 02:19 PM | Permanent link to this comment

Thanks, Sue; I really enjoyed them too, but it will be an interesting change to focus on a book I know nothing about. I’ll do a bit of cross-posting at The Valve as the project goes along, assuming I’m able to keep up, but otherwise the discussion will be at the Summer of Genji site.

By Rohan Maitzen on 06/12/10 at 05:47 PM | Permanent link to this comment

What a wonderful idea!

I cut my teeth on the Waley translation way back at the University of Michigan decades ago. Glad to know it’s unsurpassed.

My daughter was studying Japanese last year at University of California, Santa Cruz, I tried to bootleg the Waley translations to her, though they didn’t mesh with the class content.

Was the Waley work ever issued in an unabridged one-volume (or even two-volume) edition? I only have mismatching paperbacks issued at different times.

By Cynthia Haven on 06/26/10 at 12:19 AM | Permanent link to this comment

I have a one volume edition from The Modern Library, published in 1960. My copy was falling apart from many re-readings and was recently re-bound.

By on 06/26/10 at 11:57 AM | Permanent link to this comment

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