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Past Valve Book Events

cover of the book Theory's Empire

Event Archive

cover of the book The Literary Wittgenstein

Event Archive

cover of the book Graphs, Maps, Trees

Event Archive

cover of the book How Novels Think

Event Archive

cover of the book The Trouble With Diversity

Event Archive

cover of the book What's Liberal About the Liberal Arts?

Event Archive

cover of the book The Novel of Purpose

Event Archive

2008 Nobel Prize for Literature: Jean-Marie Le Clézio

Manifesto: Literary Reading and Emotion

The Vicar of St. Leavis

Higher Ed and the New New Deal

“This Sandworm anon let flee a fart, as gret as it hadde ben a thundir dent.”

Epigrammatic Accumulation

McLiar Bingo

Drill, Baby, Drill

Against Theory

McKendrick’s Fisheye

The University Against Itself

When am I not reading early modern poetry?

The idea of order and the problem of Stravinsky

What and Where is the Text?

CFP (ACCUTE 2009): LitCrit 2.0: Academic Blogging and Other New Forms of Scholarly Publication

Aaron Bady on 2008 Nobel Prize for Literature: Jean-Marie Le Clézio

Steven Augustine on 2008 Nobel Prize for Literature: Jean-Marie Le Clézio

Eveningsun on "This Sandworm anon let flee a fart, as gret as it hadde ben a thundir dent."

Tom Mellers on 2008 Nobel Prize for Literature: Jean-Marie Le Clézio

Brian Barker on 2008 Nobel Prize for Literature: Jean-Marie Le Clézio

yabonn on 2008 Nobel Prize for Literature: Jean-Marie Le Clézio

Lawrence La Riviere White on The Vicar of St. Leavis

Lawrence La Riviere White on 2008 Nobel Prize for Literature: Jean-Marie Le Clézio

Bill Benzon on 2008 Nobel Prize for Literature: Jean-Marie Le Clézio

Aaron Bady on Epigrammatic Accumulation

Rich Puchalsky on The Vicar of St. Leavis

Rebecca Ore on The Vicar of St. Leavis

Adam Roberts on "This Sandworm anon let flee a fart, as gret as it hadde ben a thundir dent."

Tom Mellers on Book Order Bleg: If The Wire were a novel...

Tom Mellers on Manifesto: Literary Reading and Emotion

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Wednesday, July 23, 2008

James Woods on Fiction

Posted by Bill Benzon on 07/23/08 at 11:21 AM

Rohan Maitzen posted on James Woods, How Fiction Works, at Novel Readings on 12 March, and at The Valve on 27 March. Now Salon, Slate, and The New Republic (Frank Kermode) have decided to follow.


Comments

Thanks for pointing this out, Bill!  Clearly, there are leaders and there are followers....Only half facetiously, I’d add that blogging makes it possible.

By Rohan Maitzen on 07/23/08 at 07:54 PM | Permanent link to this comment

The conclusion to Walter Kirn’s review in the New York Times Book Review:

For someone who professes to understand the fine machinations of characterization, Wood seems oblivious to the eminently resistible prose style of his donnish, finicky persona. “How Fiction Works” is a definitive title, promising much and presuming even more: that anyone, in the age of made-up memoirs and so-called novels whose protagonists share their authors’ biographies and names, still knows what fiction is; that those who do know agree that it resembles a machine or a device, not a mess, a mystery or a miracle; and that once we know how fiction works, we’ll still care about it as an art form rather than merely admire it as an exercise. But there is one question this volume answers conclusively: Why Readers Nap.

By Bill Benzon on 08/16/08 at 12:52 PM | Permanent link to this comment

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