Welcome to The Valve
Login
Register


Valve Links

The Front Page
Statement of Purpose

John Holbo - Editor
Scott Eric Kaufman - Editor
Aaron Bady
Adam Roberts
Amardeep Singh
Andrew Seal
Bill Benzon
Daniel Green
Jonathan Goodwin
Joseph Kugelmass
Lawrence LaRiviere White
Marc Bousquet
Matt Greenfield
Miriam Burstein
Ray Davis
Rohan Maitzen
Sean McCann
Guest Authors

Laura Carroll
Mark Bauerlein
Miriam Jones

Past Valve Book Events

cover of the book Theory's Empire

Event Archive

cover of the book The Literary Wittgenstein

Event Archive

cover of the book Graphs, Maps, Trees

Event Archive

cover of the book How Novels Think

Event Archive

cover of the book The Trouble With Diversity

Event Archive

cover of the book What's Liberal About the Liberal Arts?

Event Archive

cover of the book The Novel of Purpose

Event Archive

The Valve - Closed For Renovation

Happy Trails to You

What’s an Encyclopedia These Days?

Encyclopedia Britannica to Shut Down Print Operations

Intimate Enemies: What’s Opera, Doc?

Alphonso Lingis talks of various things, cameras and photos among them

Feynmann, John von Neumann, and Mental Models

Support Michael Sporn’s Film about Edgar Allen Poe

Philosophy, Ontics or Toothpaste for the Mind

Nazi Rules for Regulating Funk ‘n Freedom

The Early History of Modern Computing: A Brief Chronology

Computing Encounters Being, an Addendum

On the Origin of Objects (towards a philosophy of computation)

Symposium on Graeber’s Debt

The Nightmare of Digital Film Preservation

Richard Petti on Occupy Wall Street: America HAS a Ruling Class

Bill Benzon on Whatwhatwhatwhatwhatwhatwhat?

Nick J. on The Valve - Closed For Renovation

Bill Benzon on Encyclopedia Britannica to Shut Down Print Operations

Norma on Encyclopedia Britannica to Shut Down Print Operations

Bill Benzon on What’s an Object, Metaphysically Speaking?

john balwit on What’s an Object, Metaphysically Speaking?

William Ray on That Shakespeare Thing

Bill Benzon on That Shakespeare Thing

William Ray on That Shakespeare Thing

JoseAngel on That Shakespeare Thing

Bill Benzon on Objects and Graeber's Debt

Bill Benzon on A Dirty Dozen Sneaking up on the Apocalypse

JoseAngel on A Dirty Dozen Sneaking up on the Apocalypse

JoseAngel on Objects and Graeber's Debt

Advanced Search

Articles
RSS 1.0 | RSS 2.0 | Atom

Comments
RSS 1.0 | RSS 2.0 | Atom

XHTML | CSS

Powered by Expression Engine
Logo by John Holbo

Creative Commons Licence
This work is licensed under a Creative Commons License.

 


Blogroll

2blowhards
About Last Night
Academic Splat
Acephalous
Amardeep Singh
Beatrice
Bemsha Swing
Bitch. Ph.D.
Blogenspiel
Blogging the Renaissance
Bookslut
Booksquare
Butterflies & Wheels
Cahiers de Corey
Category D
Charlotte Street
Cheeky Prof
Chekhov’s Mistress
Chrononautic Log
Cliopatria
Cogito, ergo Zoom
Collected Miscellany
Completely Futile
Confessions of an Idiosyncratic Mind
Conversational Reading
Critical Mass
Crooked Timber
Culture Cat
Culture Industry
CultureSpace
Early Modern Notes
Easily Distracted
fait accompi
Fernham
Ferule & Fescue
Ftrain
GalleyCat
Ghost in the Wire
Giornale Nuovo
God of the Machine
Golden Rule Jones
Grumpy Old Bookman
Ideas of Imperfection
Idiocentrism
Idiotprogrammer
if:book
In Favor of Thinking
In Medias Res
Inside Higher Ed
jane dark’s sugarhigh!
John & Belle Have A Blog
John Crowley
Jonathan Goodwin
Kathryn Cramer
Kitabkhana
Languagehat
Languor Management
Light Reading
Like Anna Karina’s Sweater
Lime Tree
Limited Inc.
Long Pauses
Long Story, Short Pier
Long Sunday
MadInkBeard
Making Light
Maud Newton
Michael Berube
Moo2
MoorishGirl
Motime Like the Present
Narrow Shore
Neil Gaiman
Old Hag
Open University
Pas au-delà
Philobiblion
Planned Obsolescence
Printculture
Pseudopodium
Quick Study
Rake’s Progress
Reader of depressing books
Reading Room
ReadySteadyBlog
Reassigned Time
Reeling and Writhing
Return of the Reluctant
S1ngularity::criticism
Say Something Wonderful
Scribblingwoman
Seventypes
Shaken & Stirred
Silliman’s Blog
Slaves of Academe
Sorrow at Sills Bend
Sounds & Fury
Splinters
Spurious
Stochastic Bookmark
Tenured Radical
the Diaries of Franz Kafka
The Elegant Variation
The Home and the World
The Intersection
The Litblog Co-Op
The Literary Saloon
The Literary Thug
The Little Professor
The Midnight Bell
The Mumpsimus
The Pinocchio Theory
The Reading Experience
The Salt-Box
The Weblog
This Public Address
This Space: The Fire’s Blog
Thoughts, Arguments & Rants
Tingle Alley
Uncomplicatedly
Unfogged
University Diaries
Unqualified Offerings
Waggish
What Now?
William Gibson
Wordherders

Tuesday, June 01, 2010

Iron Man

Posted by Adam Roberts on 06/01/10 at 02:28 PM


Two years late on this, I know. I mentioned to a friend that I’d never seen it, and his bug-eyed astonishment persuaded me I ought to give it a go. I’ve seen it now. Verdict: fairly jolly.

Longer verdict: for much of its length, this almost lives up to the ideal; the ideal being that the title is short for Irony Man. There’s some movement in this direction, with Downey Junior’s wisecracking screen persona, but only some. In fact the heart of the film (the gleaming, metallic, circular heart) is clumsily, even painfully unironic. It’s the dream narrative of US military involvement in the Middle East: one American is able to go to Afghanistan, kill only the bad Afghans, leave all the virtuous Afghani men women and children alive, and then leap clean away into the sky having Done Good.

Iron Man’s suit, classically, is a wish-fulfulment dream of invulnerability, in medieval-knight or Ned Kelley mode. What this film adds is a twopetal garnish to that ancient human fantasy: first, the magic-carpet dream of jet-flight mobility and second, the equally potent dream of perfect moral choice. For Stark’s magic suit comes fitted with software that allows him not only to see everything (from the kid’s icecream blob falling from his cone, to the wicked Taliban fellah hiding behind the wall) but also to lock-on and, assisted by his silky-voiced computer advisor, discriminate good from bad. That’s the film’s major mendacity: that accurate moral judgement and effective ethical action are predicated upon an ontology of perfect, mechanical invulnerability. The exact opposite is the truth. Our ethical potential is grounded in our vulnerability.

The next stage in the analysis would be to trace this misprison, the belief that ethical behaviour must be grounded in invulnerability, deeper into the US psyche: the obsession with guns, the catastrophic foreign policy. But that would be a large and complex task, and beyond me at the moment.  Intuitively, though, I wonder if there’s something in it.


Comments

A most provocative final paragraph, Adam. If anyone undertakes that task, I’d be interested in reading the result.

By Bill Benzon on 06/01/10 at 06:39 PM | Permanent link to this comment

Ah, you’re right: it’s almost the opposite, isn’t it? Ethical behavior must be grounded in vulnerability. That’s the basic soil my work is rooted in.

I have to confess that I find Robert Downey Jr. possibly the best actor of his generation, and I’m waiting for his thinking to outgrow this part.

By Shelley on 06/04/10 at 04:12 PM | Permanent link to this comment

Once again, it seems that some people just don’t get it at all, so they need a refresher:

Tony Stark didn’t refuse to give the Iron Man suit to the government because he hates the government (he doesn’t)-he refused to give it to them because he knew the arms race that would result if it was ever taken over and modified to be used for the dictates of the U.S. Armed Forces. The situation in the movie with Ivan Vanko was a one-off that would likely never really happen again, but would continue if Justin Hammer had got his way. Remember, this is a man (Tony Stark) who became paranoid because he was afraid of how his armor tech was being used by a ton of super crooks (the main story point of the Armor Wars storyline in the comic book) and who waged a kind of war to make sure these crooks didn’t get it. Not to mention the change he went through in the cave in Afghanistan that set him on the path of being Iron Man and discontinuing the making of arms.

If this guy wasn’t that concerned, he wouldn’t be acting as a force for good the way he does in the comic books (which you and many other people should try to read along with watching and reviewing this movie!) Once again, you join a panoply of people on the left and right who have commented on the Iron Man franchise, but don’t really get it at all.

Oh, and Tony; as for Downey changing his thinking-he’s done more change in his life than you will ever know. Playing a force for goo is a change-just not one that you give a shit about. Your loss.

By on 06/12/10 at 06:08 PM | Permanent link to this comment

Add a comment:

Name:
Email:
Location:
URL:

 

Remember my personal information

Notify me of follow-up comments?

Please enter the word you see in the image below: