Welcome to The Valve
Login
Register


Valve Links

The Front Page
Statement of Purpose

John Holbo - Editor
Scott Eric Kaufman - Editor
Aaron Bady
Adam Roberts
Amardeep Singh
Andrew Seal
Bill Benzon
Daniel Green
Jonathan Goodwin
Joseph Kugelmass
Lawrence LaRiviere White
Marc Bousquet
Matt Greenfield
Miriam Burstein
Ray Davis
Rohan Maitzen
Sean McCann
Guest Authors

Laura Carroll
Mark Bauerlein
Miriam Jones

Past Valve Book Events

cover of the book Theory's Empire

Event Archive

cover of the book The Literary Wittgenstein

Event Archive

cover of the book Graphs, Maps, Trees

Event Archive

cover of the book How Novels Think

Event Archive

cover of the book The Trouble With Diversity

Event Archive

cover of the book What's Liberal About the Liberal Arts?

Event Archive

cover of the book The Novel of Purpose

Event Archive

Geoffrey Harpham: In Praise of Pleasure

A Dirty Dozen Sneaking up on the Apocalypse

ADD: Drugs Don’t Work Long Term

More Fishy Business

Fish Argues Against Interpretation Via Digital Humanities

The Conversation Continues: What is Graffiti?

Listening is All

As Actors Prepare, so Should Critics Learn

Animal, Vegetable, or Mineral: What is Graffiti?

The Peregrinations of Agency vis-à-vis the Text

OOO is Very Abstract, but so is KR

Russell Hoban: Disappearances

Alenka Pinterič

Community Bands in America

New coinage: “Assholocracy”

Bill Benzon on The Sins of Steven Pinker: Or, Let’s Get on with It

Robert Sheppard on Occupy Wall Street: America HAS a Ruling Class

John S Wilkins on Occupy Wall Street: America HAS a Ruling Class

William Ray on That Shakespeare Thing

GeoX on That Shakespeare Thing

Bill Benzon on The Sins of Steven Pinker: Or, Let’s Get on with It

roger on The Sins of Steven Pinker: Or, Let’s Get on with It

Joe Black on One Candle, a Thousand Points of Light: Moretti and the Individual Text

Bill Benzon on Vitalism, Computation, and Mechanism

CT on Vitalism, Computation, and Mechanism

Bill Benzon on Disney Agonistes: Night on Bald Mountain

Nate Whilk on Disney Agonistes: Night on Bald Mountain

Bill Benzon on Q: Why is the Dawkins Meme Idea so Popular?

John S Wilkins on Q: Why is the Dawkins Meme Idea so Popular?

Russ on Juggling: What to do?

Advanced Search

Articles
RSS 1.0 | RSS 2.0 | Atom

Comments
RSS 1.0 | RSS 2.0 | Atom

XHTML | CSS

Powered by Expression Engine
Logo by John Holbo

Creative Commons Licence
This work is licensed under a Creative Commons License.

 


Blogroll

2blowhards
About Last Night
Academic Splat
Acephalous
Amardeep Singh
Beatrice
Bemsha Swing
Bitch. Ph.D.
Blogenspiel
Blogging the Renaissance
Bookslut
Booksquare
Butterflies & Wheels
Cahiers de Corey
Category D
Charlotte Street
Cheeky Prof
Chekhov’s Mistress
Chrononautic Log
Cliopatria
Cogito, ergo Zoom
Collected Miscellany
Completely Futile
Confessions of an Idiosyncratic Mind
Conversational Reading
Critical Mass
Crooked Timber
Culture Cat
Culture Industry
CultureSpace
Early Modern Notes
Easily Distracted
fait accompi
Fernham
Ferule & Fescue
Ftrain
GalleyCat
Ghost in the Wire
Giornale Nuovo
God of the Machine
Golden Rule Jones
Grumpy Old Bookman
Ideas of Imperfection
Idiocentrism
Idiotprogrammer
if:book
In Favor of Thinking
In Medias Res
Inside Higher Ed
jane dark’s sugarhigh!
John & Belle Have A Blog
John Crowley
Jonathan Goodwin
Kathryn Cramer
Kitabkhana
Languagehat
Languor Management
Light Reading
Like Anna Karina’s Sweater
Lime Tree
Limited Inc.
Long Pauses
Long Story, Short Pier
Long Sunday
MadInkBeard
Making Light
Maud Newton
Michael Berube
Moo2
MoorishGirl
Motime Like the Present
Narrow Shore
Neil Gaiman
Old Hag
Open University
Pas au-delà
Philobiblion
Planned Obsolescence
Printculture
Pseudopodium
Quick Study
Rake’s Progress
Reader of depressing books
Reading Room
ReadySteadyBlog
Reassigned Time
Reeling and Writhing
Return of the Reluctant
S1ngularity::criticism
Say Something Wonderful
Scribblingwoman
Seventypes
Shaken & Stirred
Silliman’s Blog
Slaves of Academe
Sorrow at Sills Bend
Sounds & Fury
Splinters
Spurious
Stochastic Bookmark
Tenured Radical
the Diaries of Franz Kafka
The Elegant Variation
The Home and the World
The Intersection
The Litblog Co-Op
The Literary Saloon
The Literary Thug
The Little Professor
The Midnight Bell
The Mumpsimus
The Pinocchio Theory
The Reading Experience
The Salt-Box
The Weblog
This Public Address
This Space: The Fire’s Blog
Thoughts, Arguments & Rants
Tingle Alley
Uncomplicatedly
Unfogged
University Diaries
Unqualified Offerings
Waggish
What Now?
William Gibson
Wordherders

Monday, March 03, 2008

Forgotten Satiric Genius, courtesy of Theodor Adorno

Posted by Joseph Kugelmass on 03/03/08 at 02:33 PM

(x-posted to The Kugelmass Episodes)

About two-thirds of the way through Theodor Adorno’s admirable book The Jargon of Authenticity, illuminating the entire volume, is a little piece of German satire that nobody has ever heard of: Christian Schütze’s “Stenciled Speech for Festive Occasions.” Its relevance to the present moment is astonishing, particularly in these days of change, hope, changeful hope, and hopeful change. It brings us laughingly to our senses.

Most honored Mr. President, ministers, secretaries of state, mayors, advisors, administrators, and assistants, highly esteemed men and women of our cultural life, representatives of science, of industry, and of the self-employed middle-class, honored public of this festive gathering, ladies and gentlemen!

It is not by chance that we are gathered here today for the purpose of celebrating this day. In a time like ours, in which the true human values have more than ever to be our innermost concern, a statement is expected from us. I do not wish to present you with a patented solution, but I would merely like to bring up for discussion a series of hot potatoes which do after all face us. For we do not need ready-made opinions, which anyway do not touch us deeply, but what we need is rather the genuine dialogue which moves us in our humanity. What brought us together here is our knowledge of the power of encounter in the forming of the intrahuman sphere. The things which matter are settled in this intrahuman sphere. I do not have to tell you what I mean by this. You will all understand me, for in a particular and extraordinary sense you all have to do with people.

In a time like ours—I have mentioned it already—in which the perspective of things has everywhere begun to waver, everything depends more than ever on the individual who knows of the essence of things, of things as such, of things in their authenticity. We need openhearted people who are capable of this. Who these people?—you will ask me—and I will answer you: You are they! By being gathered here you have proven more thoroughly than by words that you are prepared to put emphasis on your concern. That is what I would like to thank you for. But I would also like to thank you for energetically opposing, by your commitment to this good cause, the flood of materialism which threatens to drown everything around us. To say it in a nutshell from the start: you have come here to be given directions; you have come to listen. From this encounter, on an intrahuman level, you expect a contribution to the reestablishing of the interhuman climate. You expect a restoration of that homely warmth which seems to be lacking, in our modern industrial society, to such a terrifying degree…

But what does this mean for our concrete similarities here and now? To pronounce the question means to pose it. But in fact it means much more than that. It means that we expose ourselves ot it, that we surrender to it. That we must not forget. But in the rush and busy work of the day, modern man forgets it all too easily. But you who belong to the silent majority, you know of it. For our problems stem from a region which it is our vocation to preserve. The wholesome perplexity which comes from this situation opens perspectives which we should not simply block out by turning away in boredom. It is important to think with the heart and to tune in the human antenna to the same wave length. Today no one knows better than man that which is of importance in the end.


Comments

The piece satirizes the present moment?  So it satirizes a unit of time?

It seems to me that the piece satirizes itself qua satire.

“these days of change, hope, changeful hope, and hopeful change”

The piece satirizes four distinct attitudes? 
-The attitude that things are changing.
-The abstract attitude of hope, whether hope entails that things will change or remain the same.
-The attitude that the thing called hope is evolving.
-The attitude that things-changing could be an improvement.  (~#2.)

If this piece successfully satirizes--or causes me to laugh about (mock)--all of these things, well, I guess I’ll put down my copy of Childhood, Boyhood, Youth.

By on 03/04/08 at 06:16 PM | Permanent link to this comment

Dicerstabber,

I didn’t say it satirized the present moment, though that would be a reasonable figure of speech. I said it was relevant.

I don’t know what you mean in your second sentence.

Actually, the satire isn’t targeting hope or change; that was my own reference to the sometimes weightless thematics of Barack Obama’s otherwise admirable campaign. It’s real target is the language that exists to serve fashionable anxiety (the bemoaned decline of our society into “materialistic” desires) and artificial sympathy and earnestness.

It’s not a satire of Tolstoy at all, though certainly somebody could write a fantastic satire of Tolstoy, and I’m sure some Russian writer already has. I say all this as an admirer of his.

By Joseph Kugelmass on 03/04/08 at 11:27 PM | Permanent link to this comment

I don’t really understand the satire of this piece. All I see is a (albeit dated) call to rise against the artificiality of modern society. Or is the satirical part the fact that people have gathered to listen to someone talk about it?

By on 03/05/08 at 07:47 PM | Permanent link to this comment

Sitalkes,

I gave my best account of the satire of the piece in my reply to Dicerstabber; the call to rise against the artificiality of society is itself a piece of artifice that leads nowhere. The point is to call our attention to sentences like “For in a particular and extraordinary sense, you all have to do with people.”

By Joseph Kugelmass on 03/05/08 at 08:18 PM | Permanent link to this comment

It’s “stenciled,” hence generic.  It could serve any occasion, be addressed to any group of people.  “Times like ours” could be any epoch.  The 1930s, the 2000s… The specific values invoked are so vaguely defined that it could be used in a Nazi rally or an Elk’s lodge.  It’s a satire of rhetoric itself--understood as speech designed to congratulate the audience simply for being there in such uplifting circumstances.

By on 03/06/08 at 11:06 PM | Permanent link to this comment

I thought it was a hoot, Joseph, and it moved me to order up the Adorno book.  I particularly liked the intrahuman sphere.

By on 03/06/08 at 11:54 PM | Permanent link to this comment

So, is there any particular reason my comment wasn’t approved? Or are these decisions above explanation?

By Nabil on 03/08/08 at 11:02 AM | Permanent link to this comment

Colin, that’s terrific.

Nabil—I had no intention of deleting your comment, or of not approving it, but I’m having trouble locating it. I’m terribly sorry if it’s been the victim of some technical mishap. What is it you wanted to say?

By Joseph Kugelmass on 03/11/08 at 08:51 PM | Permanent link to this comment

Yeah, sorry - it must have been some technical thing, I should have kept my temper.

I was asking why Obama comes under special scrutiny as far as meaningless campaign slogans go, pointing out (with some references) that other campaigns are hardly running on more substance in terms of speeches and slogans. I also pointed to some of the substantive positions and factors that I think justify Obama’s rhetoric.

But, unfortunately, I don’t have the time to reproduce the argument in detail - nonetheless, thanks for trying to address the glitch. Downsides of living in the computer age…

By Nabil on 03/12/08 at 12:28 AM | Permanent link to this comment

Add a comment:

Name:
Email:
Location:
URL:

 

Remember my personal information

Notify me of follow-up comments?

Please enter the word you see in the image below: