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John Holbo - Editor
Scott Eric Kaufman - Editor
Aaron Bady
Adam Roberts
Amardeep Singh
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Bill Benzon
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Past Valve Book Events

cover of the book Theory's Empire

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cover of the book The Literary Wittgenstein

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cover of the book Graphs, Maps, Trees

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cover of the book How Novels Think

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cover of the book The Trouble With Diversity

Event Archive

cover of the book What's Liberal About the Liberal Arts?

Event Archive

cover of the book The Novel of Purpose

Event Archive

The Valve - Closed For Renovation

Happy Trails to You

What’s an Encyclopedia These Days?

Encyclopedia Britannica to Shut Down Print Operations

Intimate Enemies: What’s Opera, Doc?

Alphonso Lingis talks of various things, cameras and photos among them

Feynmann, John von Neumann, and Mental Models

Support Michael Sporn’s Film about Edgar Allen Poe

Philosophy, Ontics or Toothpaste for the Mind

Nazi Rules for Regulating Funk ‘n Freedom

The Early History of Modern Computing: A Brief Chronology

Computing Encounters Being, an Addendum

On the Origin of Objects (towards a philosophy of computation)

Symposium on Graeber’s Debt

The Nightmare of Digital Film Preservation

Bill Benzon on Whatwhatwhatwhatwhatwhatwhat?

Nick J. on The Valve - Closed For Renovation

Bill Benzon on Encyclopedia Britannica to Shut Down Print Operations

Norma on Encyclopedia Britannica to Shut Down Print Operations

Bill Benzon on What’s an Object, Metaphysically Speaking?

john balwit on What’s an Object, Metaphysically Speaking?

William Ray on That Shakespeare Thing

Bill Benzon on That Shakespeare Thing

William Ray on That Shakespeare Thing

JoseAngel on That Shakespeare Thing

Bill Benzon on Objects and Graeber's Debt

Bill Benzon on A Dirty Dozen Sneaking up on the Apocalypse

JoseAngel on A Dirty Dozen Sneaking up on the Apocalypse

JoseAngel on Objects and Graeber's Debt

Bill Benzon on The Sins of Steven Pinker: Or, Let’s Get on with It

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Sunday, December 02, 2007

Assembly Line Scholarship Among Harvard Stars

Posted by Bill Benzon on 12/02/07 at 08:22 PM

Bruce Jackson summarizes an article from 02138 (A Million Little Writers):

Some of Harvard’s celebrity academics publish books, articles, op-eds and everything else at a dazzling rate. How do they do it? A few are geniuses, who really do knock that stuff out in their own, which is why they are at Harvard. Some, particularly in the Law School, plagiarize, which saves a huge amount of time, if you don’t get caught doing it. And some have perfected the system favored by some Renaissances artists, using lot of little elves who do the bulk of the research and sometimes the bulk of the writing as well.

If that’s how it’s done among the best and brightest in American academia, is there any point to propping up such a corrupt system? 


Comments

It’s said that in the traditional way of doing things in German universities, the professor has a presumptive ownership of anything done by his grad students—including seminar papers.  That doesn’t make the practice appealling, necessarily, but it would seem to indicate that Harvard profs are not alone in so using grad students.

By Adam Kotsko on 12/02/07 at 09:21 PM | Permanent link to this comment

No. But I would say that.

By John Emerson on 12/02/07 at 11:30 PM | Permanent link to this comment

Adam: As an advanced student at a German university I have to disagree. No professor here holds presumptive ownership over seminar papers or anything like that by tradition.

By on 12/03/07 at 03:26 AM | Permanent link to this comment

I’ve had something similar happen to me, though it was more subtle.  My supervisor was working on a similar area to me and I submitted a thesis plan with one of my core arguments laid out.  I’d checked all the usual places, it was a new idea.

A while goes past and it’s known that “Jonathan’s working on X” then all of a sudden my supervisor adds a chapter to a book she was writing putting forward a very similar point and it’s “Oh sorry… I’m about to publish so by the time you finish your thesis the idea will be out there”

I had to completely (and I mean completely) rethink my PhD topic.  I changed supervisors but needless to say, the book has yet to appear.

Having said that, I think this type of behaviour is more prevalent is America where there’s more of an apprenticeship vibe to grad school (unlike the UK where it’s now “you’ve got three years to complete… go!  don’t stop for anything!") and in the experimental sciences where grad students do properly assist their supervisors.

By Jonathan M on 12/03/07 at 04:43 AM | Permanent link to this comment

And of course I would say what John E. said. But I also hear an annoying little (well, dressed in black to hide his bulk) Harry Lime voice caressingly repeat “like the Renaissance artists, old boy....”

Jonathan M,’s horrific story doesn’t sound all that subtle to me.

By Ray Davis on 12/03/07 at 11:09 AM | Permanent link to this comment

Back in the olden times, I used to have to explain to instructors why open access made successful plagiarism by students less likely ("I know how to Google too, friend"). Jonathan M.’s anecdote might indicate similar positive sides to grad-student blogging....

By Ray Davis on 12/03/07 at 11:23 AM | Permanent link to this comment

I think once upon a time German profs used to assign topics to their doctoral students, and they certainly picked things that interested them or would aid their own research goals. That doesn’t happen much anymore here, at least in the humanities. And I have never heard of a case of a German professor just “picking up” a student’s ideas. However, a lot of humanities research is done in SFBs and DFG projects, in which case the researchers are collaborating a great deal of the time and a number of general ideas are shared. They are supposed to fertilize the individual projects, just as the individual projects in turn fertilize the larger project. This sort of research model is not familiar to me from the US, but it is also different from what the 02138 article describes.

By on 12/03/07 at 12:14 PM | Permanent link to this comment

As someone who used to have a 02138 ZIP code and was not associated with Harvard, I’m mortified to see that as the name of a campus/alum mag.

Harvard dysfunctions aside, I’m wondering what system we’re propping and how. Few humanities scholars produce scholarship in a collective way, the research assistant notwithstanding for senior faculty. There are good reasons that science and social science has a bureaucratic team structure, too - we can point to abuses of that setup and we can see a particular research university as dysfuncitonal. But is this not simply a battle between humanities and science culture?

By Chris Cagle on 12/03/07 at 01:04 PM | Permanent link to this comment

I’m surprised that Theodore Streleski isn’t better known than he is.

By John Emerson on 12/03/07 at 04:48 PM | Permanent link to this comment

This is definitely not the prevalent model of research in the humanities anywhere other than Harvard.  The people I know there do not do this either; I think it is only a few celebrity-style “public intellectuals.”

I’d love to collaborate with other scholars, but it doesn’t happen all that much. 

(N. B. Different person from the “Jonathan M.” posting above)

By on 12/03/07 at 11:28 PM | Permanent link to this comment

Well, if its an effective method for producing research, the only issue I would see is making sure that all the contributors are recognized for their efforts.  Trying to put all the credit into one professor for the sake of boosting rep - now that seems pretty ridiculous.

By John on 02/10/08 at 05:25 AM | Permanent link to this comment

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