Welcome to The Valve
Login
Register


Valve Links

The Front Page
Statement of Purpose

John Holbo - Editor
Scott Eric Kaufman - Editor
Aaron Bady
Adam Roberts
Amardeep Singh
Andrew Seal
Bill Benzon
Daniel Green
Jonathan Goodwin
Joseph Kugelmass
Lawrence LaRiviere White
Marc Bousquet
Matt Greenfield
Miriam Burstein
Ray Davis
Rohan Maitzen
Sean McCann
Guest Authors

Laura Carroll
Mark Bauerlein
Miriam Jones

Past Valve Book Events

cover of the book Theory's Empire

Event Archive

cover of the book The Literary Wittgenstein

Event Archive

cover of the book Graphs, Maps, Trees

Event Archive

cover of the book How Novels Think

Event Archive

cover of the book The Trouble With Diversity

Event Archive

cover of the book What's Liberal About the Liberal Arts?

Event Archive

cover of the book The Novel of Purpose

Event Archive

The Valve - Closed For Renovation

Happy Trails to You

What’s an Encyclopedia These Days?

Encyclopedia Britannica to Shut Down Print Operations

Intimate Enemies: What’s Opera, Doc?

Alphonso Lingis talks of various things, cameras and photos among them

Feynmann, John von Neumann, and Mental Models

Support Michael Sporn’s Film about Edgar Allen Poe

Philosophy, Ontics or Toothpaste for the Mind

Nazi Rules for Regulating Funk ‘n Freedom

The Early History of Modern Computing: A Brief Chronology

Computing Encounters Being, an Addendum

On the Origin of Objects (towards a philosophy of computation)

Symposium on Graeber’s Debt

The Nightmare of Digital Film Preservation

Richard Petti on Occupy Wall Street: America HAS a Ruling Class

Bill Benzon on Whatwhatwhatwhatwhatwhatwhat?

Nick J. on The Valve - Closed For Renovation

Bill Benzon on Encyclopedia Britannica to Shut Down Print Operations

Norma on Encyclopedia Britannica to Shut Down Print Operations

Bill Benzon on What’s an Object, Metaphysically Speaking?

john balwit on What’s an Object, Metaphysically Speaking?

William Ray on That Shakespeare Thing

Bill Benzon on That Shakespeare Thing

William Ray on That Shakespeare Thing

JoseAngel on That Shakespeare Thing

Bill Benzon on Objects and Graeber's Debt

Bill Benzon on A Dirty Dozen Sneaking up on the Apocalypse

JoseAngel on A Dirty Dozen Sneaking up on the Apocalypse

JoseAngel on Objects and Graeber's Debt

Advanced Search

Articles
RSS 1.0 | RSS 2.0 | Atom

Comments
RSS 1.0 | RSS 2.0 | Atom

XHTML | CSS

Powered by Expression Engine
Logo by John Holbo

Creative Commons Licence
This work is licensed under a Creative Commons License.

 


Blogroll

2blowhards
About Last Night
Academic Splat
Acephalous
Amardeep Singh
Beatrice
Bemsha Swing
Bitch. Ph.D.
Blogenspiel
Blogging the Renaissance
Bookslut
Booksquare
Butterflies & Wheels
Cahiers de Corey
Category D
Charlotte Street
Cheeky Prof
Chekhov’s Mistress
Chrononautic Log
Cliopatria
Cogito, ergo Zoom
Collected Miscellany
Completely Futile
Confessions of an Idiosyncratic Mind
Conversational Reading
Critical Mass
Crooked Timber
Culture Cat
Culture Industry
CultureSpace
Early Modern Notes
Easily Distracted
fait accompi
Fernham
Ferule & Fescue
Ftrain
GalleyCat
Ghost in the Wire
Giornale Nuovo
God of the Machine
Golden Rule Jones
Grumpy Old Bookman
Ideas of Imperfection
Idiocentrism
Idiotprogrammer
if:book
In Favor of Thinking
In Medias Res
Inside Higher Ed
jane dark’s sugarhigh!
John & Belle Have A Blog
John Crowley
Jonathan Goodwin
Kathryn Cramer
Kitabkhana
Languagehat
Languor Management
Light Reading
Like Anna Karina’s Sweater
Lime Tree
Limited Inc.
Long Pauses
Long Story, Short Pier
Long Sunday
MadInkBeard
Making Light
Maud Newton
Michael Berube
Moo2
MoorishGirl
Motime Like the Present
Narrow Shore
Neil Gaiman
Old Hag
Open University
Pas au-delà
Philobiblion
Planned Obsolescence
Printculture
Pseudopodium
Quick Study
Rake’s Progress
Reader of depressing books
Reading Room
ReadySteadyBlog
Reassigned Time
Reeling and Writhing
Return of the Reluctant
S1ngularity::criticism
Say Something Wonderful
Scribblingwoman
Seventypes
Shaken & Stirred
Silliman’s Blog
Slaves of Academe
Sorrow at Sills Bend
Sounds & Fury
Splinters
Spurious
Stochastic Bookmark
Tenured Radical
the Diaries of Franz Kafka
The Elegant Variation
The Home and the World
The Intersection
The Litblog Co-Op
The Literary Saloon
The Literary Thug
The Little Professor
The Midnight Bell
The Mumpsimus
The Pinocchio Theory
The Reading Experience
The Salt-Box
The Weblog
This Public Address
This Space: The Fire’s Blog
Thoughts, Arguments & Rants
Tingle Alley
Uncomplicatedly
Unfogged
University Diaries
Unqualified Offerings
Waggish
What Now?
William Gibson
Wordherders

Monday, December 19, 2011

Alenka Pinterič

Posted by Bill Benzon on 12/19/11 at 05:29 PM

Nina Paley’s started background research for her Exodus project (aka Seder-Masochism). One aspect of her research has been to immerse herself in recordings of the theme song from Exodus, a hit movie from 1960 about a shipload of Holocaust survivors after World War II. The theme song became a hit in an instrumental version by duo-pianists Ferrante and Teicher and was covered in many other instrumental versions. Pop star Pat Boone wrote lyrics and vocal versions multiplied like rabbits, many of which are available on YouTube.

Paley singled out one version for special mention on her Facebook page, a version by one Alenka Pinterič, which she introduced with this sentence: “But I just came across this one, which is...special. Like, Trolololo special. It has viral potential.” That reads like Paley had her tongue in her cheek. And when you hear it, well . . . . The thing is, a day later she reposted that same version, remarking that it “is the only version of “Exodus” that gets BETTER every time you play it.” No tongue in cheek. In comments she says: “What makes it great is her palpable joy and confidence.” She’s right. I’m not sure that “great” is the word, but “palpable joy and confidence,” yes. Here it is:



And this is just one of hundreds of karaoke performances Ms. Pinterič has placed online. I’ve listened to, say, 10 to 20 of them, and don’t know quite to make of them, or of her.

Some are better than others, which is true for all artists. Her version of “Help” (the Beatles tune) was pretty bad, but she did much better on “Georgia on My Mind” (Ray Charles arrangement) than I’d have expected. When she sings “Boom Boom,” well, her accent’s off; but she does get into it. There’s something that’s quite convincing about these performances, way more convincing that, for example, Pat Boone’s covers of Little Richard songs. If Pat Boone had an inner Little Richard, he certainly didn’t let on. But Pinterič does seem to have an inner Ray Charles and an inner John Lee Hooker, and she’s giving them access to her voice.

She’s got sincerity to burn, a sentimental streak, and questionable judgment about what material works for her. She’s obviously been at it for awhile and she’s got some chops. But she’s obviously enjoying whatever she’s singing and she’s got resources of emotional expressiveness that many, most? singers do not have or, at any rate, do not use.

She’s got an IMDb entry that says she was born in 1948 in Maribor, Slovenia, and she’s got a Facebook page that indicates that she currently lives in Maribor. A little googling turned up this duet she does with one Helena Blagne, whom I presume is Slovenian as well:



Taken together with her IMDb entry, sketchy though it is, this suggest that Pinteričs is an entertainer of some significance in Slovenia.

How many Alenka Pinteričs are there in the world, and on YouTube?


Comments

Add a comment:

Name:
Email:
Location:
URL:

 

Remember my personal information

Notify me of follow-up comments?

Please enter the word you see in the image below: